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              <text>C/O Capt Mackenzie&#13;
AMLO&#13;
APO S4 Thursday&#13;
&#13;
Dear Mary,&#13;
I received your letter at last. You did take your time in answering it and there was not too much news when it did come however I have not much to say myself so must not speak. So you are having a busy time in hospital. Is it the cold weather that is sending so many to you or have you wounded? Yes I heard you were at home for a weekend. It does not seem very difficult for you to get home I wish it was as easy for me. But although I got the chance again from here I dont think I would go as it is so far &amp; so short a time at home. Poor Chrissy seems to have been very bad but I hope she about alright now Nellie was never a very successful photographer but if one of the whole group came out well it is not so bad. As Phemie may change lodgings the one letter will do as you can give it to her. Write soon.&#13;
Dear Phemie,&#13;
I received your letter last night and as you see Mary also so I am taking the two birds with one shot economy you know. My word you did not do bad at that sale you had It is likely that it was because the girls were [illegible] that there were so many customers. You should see how the French nurses catch us. They know we will give them [illegible] money so there is no passing them. I know quite a few young ladies at Calais now. The pupil is getting on alright but naturally it is a bit difficult for so young a lassie Do you find the lessons difficult now? All lights are red &amp; blue here now and it does look [illegible] It is dark about five Don't be so long in answering this one &amp; be good.&#13;
Love to you both from Dodo&#13;
The old woman is speaking like a mill pay no heed to her [illegible]</text>
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                <text>Calais (France);&#13;
Munro, Christina A. 1902-1973;&#13;
Munro, Euphemia C. 1900-1978&#13;
Munro, Helen U. 1892-1975;&#13;
Munro, Murdoch 1895-1961;&#13;
Great Britain. Army. Seaforth Highlanders;&#13;
Personal letter; &#13;
World War, 1914-1918--France</text>
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                <text>Murdoch Munro Collection (1914-1919) by Erika Nygard and Lodgepunk.com/MMC is licensed under CC BY-NC-ND 4.0 CC  </text>
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              <text>C/O Capt Mackenzie&#13;
A M L O&#13;
A P O Le Havre &#13;
21st Nov 1915&#13;
&#13;
Dear Mary,&#13;
	I have let all the rest know that I have changed my address so will drop you this note so that yourself and Phemie will know Really I was very sorry leaving good old Calais. I was as well off there as though I was at home and much easier than soldiering at home. They were really nice people I had to do with there especially the house where I was teaching the little lassie English. She was crying like to break her little heart when she saw me going away. Of course I was never angry with her if she had not got her lesson and she would always say to her mother that I was such a kind teacher and that she was not afraid of me. I got angry with her just once because her mother told me to do so and she was crying all night after it, so I could not have the heart to do so again. She is going to write a letter to Phemie I expect it will be in French. I had my dinner and supper with them the day before I came away and a box of biscuits and another of chocolate to take with me. I am missing my good dinner today. Of course I had a few friends at Calais! I sleep here along with the Police in small canvas huts and it is very cold at night as there are no fires in them and I have none of my old pals with me so it is pretty rotten at present. If it was the summer time I would rather have gone back to the front along with the regiment. This is a fine big town much bigger than Calais. You can give this letter to Phemie when you have finished with it and I will write one when I get one from her. We have very cold weather but dry. There is a fine big Y.M.C.A. hall here tea cake etc. very cheap. Write when you can&#13;
Love to you both&#13;
From Dodo</text>
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                <text>Murdoch mentions he has changed address and left Calais. He mentions the nice people and the little girl he was teaching English.  He is in a fine big town where he sleeps in a canvas hut along with the police. He is not with the regiment at this point, and unhappy with the conditions.  He mentions the Y.M.C.A.hall. The letter has a Y.M.C.A. letterhead and has accompanying envelope with Y.M.C.A. motif. Some discoloration and foxing, but remains in good condition and colors of motif are vibrant.1 item (2 pages).</text>
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                <text>Biscuits:&#13;
Calais (France);&#13;
Chocolate;&#13;
Munro, Euphemia C. 1900-1978;&#13;
Munro, Murdoch, 1895-1961;&#13;
Great Britain. Army. Seaforth Highlanders;&#13;
Personal correspondence; &#13;
Simmone;&#13;
Tea cakes;&#13;
World War, 1914-1918--France;&#13;
World War, 1914-1918 War work Young Men’s Christian associations</text>
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Dear Mary,&#13;
	I am a long time indeed in answering your letter &amp; the cap you sent me. Well I must say I was a bit of a noodle, never give you the size and henceforth it is much too big for me and really I don’t think it can be helped. I am going to keep it until I go home or leave or try and get it exchanged, which perhaps you would be able to do in the interval It is really a pity as it is a nice cap. I would probably have been on leave by now only it has been stopped since a week or so and no word of it beginning again hard luck is’nt it. We have left the big house at last and I was very sorry as I lost my good bed and many other comforts I am back again at the Police Barracks not very sweet I can tell you as we have snow &amp; plenty cold just now. I hope to get some news from you soon so au revoir&#13;
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              <text>c/o Capt Mackenzie&#13;
AMLO&#13;
Le Havre - Friday&#13;
&#13;
Dear Mary&#13;
I received your letter last night and I must say there was not much news in it but I will put it down as being too busy etc. However I have not much to say myself. Did Phemie answer that letter from Simmone yet? I had one from her last night and she told me she wrote Phemie &amp; Nellie and was longing to get an answer. So I hope Phemie has answered it Tell Phemie to send me the letter. I have settled down a bit here now but am not half as content as at Calais or half so well of in many ways. But I cannot tell you everything as making complaints about food etc are forbidden however you have a hint of it there. The Captain is still in a hotel and I have very little to do. Finished at 8am and it is not a bit pleasant to sit in these huts all day and I have no other place to go to but the YMCA &amp; soldiers Club and one gets tired of that also. We have very wet weather just now raining continually just like last year and I know it cant be very pleasant in the trenches. Dingwall must be a terrible bore just now with nobody in it. Is nurse Davidson still with you? Tell her I was asking for her. I wish you could get a new Glengarry for me. Do try! and I will send you a Christmas card a bonnie one but I cannot send you sweeties you know. Hope you will write me a longer letter next time &amp; dont forget the cap, if possible&#13;
&#13;
With love From Dodo. </text>
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I received your letter dated Tuesday 15th which has not quite arrived yet but will soon be. So you are busy spring cleaning in summer but better late than never. Have you got anything to do with the patients yet &amp; do you have any wounded in there? Who is the kind patient that is going to knit the hosetops. Are there no soldiers in Ding at all just now it must be a bit dull. [Illegible] was a bit luck but he can’t boast of much as yet although he may see enough of it yet. There are twenty of us staying in this house different regiments and we have our food cooked in the house. Write soon Love from Dodo</text>
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              <text>C/O Capt Mackenzie&#13;
Asst MLO&#13;
A.P.O. S14 30th May &#13;
&#13;
Dear Mary,&#13;
	I received your post card last night not much news you know. But I am glad to see that you seem to like your work alright Well I am still living in the same old way only in a different part of the town and in a big empty house like the last one. I have to be down at the Capts at 6:30 in the moring but have nothing to do the rest of the day but call at the P.O. for letters twice a day. Could you possibly get a Glengarry bonnet for me a Seaforth one you know do try &amp; give me all news&#13;
Love from Dodo&#13;
A pair of hose tops to if you can</text>
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Military uniforms'&#13;
Military life;&#13;
Personal correspondence;&#13;
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4th Seaforths&#13;
B E F&#13;
19/1/17&#13;
Dear Mary,&#13;
	Thanks for your parcel &amp; letter both received. The contents were alright. I am sending you a card as I have not an envelope to put a letter in and way of getting one. We are back a long way for a rest now &amp; will not be going to the trenches for a few weeks. &#13;
Write soon&#13;
Love from Dodo</text>
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Personal correspondence; &#13;
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World War, 1914-1918--France</text>
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              <elementText elementTextId="1176">
                <text>Murdoch Munro Collection (1914-1919) by Erika Nygard and Lodgepunk.com/MMC is licensed under CC BY-NC-ND 4.0 CC  </text>
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          <name>Transcription</name>
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              <text>B E F&#13;
France Wed 2nd&#13;
Dear Mary,&#13;
So you are still kicking about [illegible] since [illegible]. I received the fags [illegible] and I did welcome them you may be sure. Thanks very much. I sent a P C to – last night still knocking about [illegible] like a [illegible]&#13;
Dodo</text>
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                <text>WW1 postcard from LC Murdoch Munro BEF to Miss M Munro, dated 4th December 1914</text>
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            <name>Creator</name>
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                <text>Munro, Murdoch (1895-1961)</text>
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            <name>Coverage</name>
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                <text>Early Carte Postale field service postcard with Red Ensign maritime flag motif. Also of interest are the spaces  for writing specific information about the recipient such as regiment and battalion. Murdoch mentions gettings fags (cigarettes). </text>
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            <description>Identifies the specific type of WORK, COLLECTION, or IMAGE being described in the record.</description>
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Great Britain. Army. Seaforth Highlanders;&#13;
Great Britain. Army. British Expeditionary Force;&#13;
Military life--1900-1920;&#13;
Munro, Murdoch, 1895-1961;&#13;
Personal correspondence;&#13;
World War, 1914-1918--France</text>
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French and British Red Ensign maritime flag motif. </text>
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            <name>Rights</name>
            <description>Information about the copyright status and the rights holder for a work, collection, or image</description>
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                <text>Murdoch Munro Collection (1914-1919) by Erika Nygard and Lodgepunk.com/MMC is licensed under CC BY-NC-ND 4.0 CC  </text>
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Munro, Murdoch, 1895-1961;&#13;
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              <text>B E F&#13;
France&#13;
Dear Mary,&#13;
I received your letter of 22nd [?] xmas parcel never turned up. We are having ten days rest just now are alright in a house with a fire. Hope you are alright at home A Happy New Year to you all&#13;
Love from Dodo</text>
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Great Britain. Army. British Expeditionary Force;&#13;
Great Britain. Army. Seaforth Highlanders;&#13;
New Year;&#13;
Personal correspondence;&#13;
World War, 1914-1918--France</text>
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            <name>Inscription</name>
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                <text>Written inscription: GARVE, censor signature (unidentified). Publisher's inscription: attractive small motif top center of front.</text>
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            <name>Material</name>
            <description>The substance of which a work or an image is composed.</description>
            <elementTextContainer>
              <elementText elementTextId="630">
                <text>Graphite pencil on card stock</text>
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            <name>Technique</name>
            <description>The production or manufacturing processes, techniques, and methods incorporated in the fabrication or alteration of the work or image.</description>
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                <text>Handwriting; Printing techniques</text>
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            <name>Style Period</name>
            <description>A defined style, historical period, group, school, dynasty, movement, etc. whose characteristics are represented in the Work or Image.</description>
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                <text>Twentieth Century</text>
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            <name>Rights</name>
            <description>Information about the copyright status and the rights holder for a work, collection, or image</description>
            <elementTextContainer>
              <elementText elementTextId="1173">
                <text>Murdoch Munro Collection (1914-1919) by Erika Nygard and Lodgepunk.com/MMC is licensed under CC BY-NC-ND 4.0 CC  </text>
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      <tag tagId="24">
        <name>1915</name>
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      <tag tagId="19">
        <name>Christmas</name>
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      <tag tagId="28">
        <name>Postcards</name>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                <elementText elementTextId="38">
                  <text>Documents from the Murdoch Munro Collection (1914-1919). These include a soldier's paybook, a notice of award of the Military Medal, and a hospital note.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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              <name>Subject</name>
              <description>The topic of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="1135">
                  <text>Great Britain. Army. Seaforth Highlanders;&#13;
Munro, Murdoch, 1895-1961;&#13;
World War I Collection;&#13;
World War, 1914-1918--France</text>
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              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
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                <elementText elementTextId="1136">
                  <text>Lodgepunk.com/MMC</text>
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              </elementTextContainer>
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          </elementContainer>
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    </collection>
    <itemType itemTypeId="1">
      <name>Text</name>
      <description>A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.</description>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>WW1 Protection Certificate and Certificate of Identity, of Murdoch Munro dated 1st February -13th March 1919</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="329">
                <text>Unknown</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="1201">
                <text>Lodgepunk.com/MMC</text>
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        <name>VRA Core</name>
        <description>VRA Core standard for artistic pieces and cultural heritage artifacts.
                                The first input will be treated as a &lt;display&gt; element. More detailed
                                VRA Core metadata is available below that input.
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        <elementContainer>
          <element elementId="52">
            <name>ID</name>
            <description>The ID to apply to a VRA Work, Image, or Collection (corresponds to vra id attribute).</description>
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              <elementText elementTextId="168">
                <text>DOC_1919_protectCert</text>
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          <element elementId="57">
            <name>Description</name>
            <description>A free-text note about the Work, Collection, or Image, including comments, description, or interpretation, that gives additional information not recorded in other categories.</description>
            <elementTextContainer>
              <elementText elementTextId="172">
                <text>A Protection Certificate and Certificate of Identity of Murdoch Munro with four dispersals stamped and dated. Very fragile and edges are damaged. 1 item</text>
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          </element>
          <element elementId="67">
            <name>Subject</name>
            <description>Terms or phrases that describe, identify, or interpret the Work or Image and what it depicts or expresses. These may include generic terms that describe the work and the elements that it comprises, terms that identify particular people, geographic places, narrative and iconographic themes, or terms that refer to broader concepts or interpretations.</description>
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              <elementText elementTextId="173">
                <text>Great Britain. Army. Seaforth Highlanders;&#13;
Military records;&#13;
Stationery Office (Great Britain);&#13;
World War, 1914-1918;</text>
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            </elementTextContainer>
          </element>
          <element elementId="56">
            <name>Date</name>
            <description>Date or range of dates associated with the creation, design, production, presentation, performance, construction, or alteration, etc. of the work or image. Dates may be expressed as free text or numerical.  In format yyyy-mm-dd yyyy-mm-dd.</description>
            <elementTextContainer>
              <elementText elementTextId="174">
                <text>1919-02-01</text>
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            </elementTextContainer>
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          <element elementId="66">
            <name>Style Period</name>
            <description>A defined style, historical period, group, school, dynasty, movement, etc. whose characteristics are represented in the Work or Image.</description>
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              <elementText elementTextId="175">
                <text>Twentieth century</text>
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            </elementTextContainer>
          </element>
          <element elementId="55">
            <name>Cultural Context</name>
            <description>The name of the culture, people (ethnonym), or adjectival form of a country name fromwhich a Work, Collection, or Image originates, or the cultural context with which the Work, Collection, or Image has been associated.</description>
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              <elementText elementTextId="176">
                <text>Scottish</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="59">
            <name>Location</name>
            <description>The geographic location and/or name of the repository, building, site, or other entity whose boundaries include the Work or Image.</description>
            <elementTextContainer>
              <elementText elementTextId="177">
                <text>Garve (Scotland)</text>
              </elementText>
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          <element elementId="68">
            <name>Technique</name>
            <description>The production or manufacturing processes, techniques, and methods incorporated in the fabrication or alteration of the work or image.</description>
            <elementTextContainer>
              <elementText elementTextId="179">
                <text>Printing techniques</text>
              </elementText>
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          <element elementId="61">
            <name>Measurements</name>
            <description>The physical size, shape, scale, dimensions, or format of the Work or Image. Dimensions may include such measurements as volume, weight, area or running time.</description>
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              <elementText elementTextId="180">
                <text>20.4 cm (height) x 14.6 cm (width)</text>
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          </element>
          <element elementId="60">
            <name>Material</name>
            <description>The substance of which a work or an image is composed.</description>
            <elementTextContainer>
              <elementText elementTextId="337">
                <text>Graphite pencil on paper</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="54">
            <name>Agent</name>
            <description>The names, appellations, or other identifiers assigned to an individual, group, or corporate body that has contributed to the design, creation, production, manufacture, or alteration of the work or image.</description>
            <elementTextContainer>
              <elementText elementTextId="1114">
                <text>Army Printing and Stationery Service</text>
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          </element>
          <element elementId="70">
            <name>Worktype</name>
            <description>Identifies the specific type of WORK, COLLECTION, or IMAGE being described in the record.</description>
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              <elementText elementTextId="1122">
                <text>Document</text>
              </elementText>
            </elementTextContainer>
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            <name>Rights</name>
            <description>Information about the copyright status and the rights holder for a work, collection, or image</description>
            <elementTextContainer>
              <elementText elementTextId="1149">
                <text>Murdoch Munro Collection (1914-1919) by Erika Nygard and Lodgepunk.com/MMC is licensed under CC BY-NC-ND 4.0 CC  </text>
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        <name>1919</name>
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        <name>Garve</name>
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        <name>Perth</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Objects - Murdoch Munro Collection (1914-1919)</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="36">
                  <text>Objects in the Murdoch Munro Collection (1914-1919). These include  a ghurka knife and a small scrapbook with pressed poppy petal and leaf from a tree.</text>
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            <element elementId="49">
              <name>Subject</name>
              <description>The topic of the resource</description>
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                  <text>Great Britain. Army. Seaforth Highlanders;&#13;
Munro, Murdoch, 1895-1961;&#13;
World War I Collection;&#13;
World War, 1914-1918--France&#13;
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            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="1139">
                  <text>Lodgepunk.com/MMC</text>
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    <itemType itemTypeId="15">
      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>WW1 Scrapbook with dried pressed leaf and flower petal (Calais 16 Sept. 1915 and Le Havre 29 June 1916)</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Munro, Murdoch, 1895-1961;&#13;
Unknown</text>
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            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="1202">
                <text>Lodgepunk.com/MMC</text>
              </elementText>
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        <name>VRA Core</name>
        <description>VRA Core standard for artistic pieces and cultural heritage artifacts.
                                The first input will be treated as a &lt;display&gt; element. More detailed
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        <elementContainer>
          <element elementId="52">
            <name>ID</name>
            <description>The ID to apply to a VRA Work, Image, or Collection (corresponds to vra id attribute).</description>
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                <text>OBJ_c1915_1916_0003</text>
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          <element elementId="56">
            <name>Date</name>
            <description>Date or range of dates associated with the creation, design, production, presentation, performance, construction, or alteration, etc. of the work or image. Dates may be expressed as free text or numerical.  In format yyyy-mm-dd yyyy-mm-dd.</description>
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                <text>1915-1916</text>
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            <name>Location</name>
            <description>The geographic location and/or name of the repository, building, site, or other entity whose boundaries include the Work or Image.</description>
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                <text>Calais (France); Le Havre (France)</text>
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          <element elementId="60">
            <name>Material</name>
            <description>The substance of which a work or an image is composed.</description>
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                <text>Dried flowers&#13;
</text>
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          <element elementId="68">
            <name>Technique</name>
            <description>The production or manufacturing processes, techniques, and methods incorporated in the fabrication or alteration of the work or image.</description>
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                <text>Pressing; Scrapbooking</text>
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          <element elementId="67">
            <name>Subject</name>
            <description>Terms or phrases that describe, identify, or interpret the Work or Image and what it depicts or expresses. These may include generic terms that describe the work and the elements that it comprises, terms that identify particular people, geographic places, narrative and iconographic themes, or terms that refer to broader concepts or interpretations.</description>
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                <text>Calais (France);&#13;
Dried flowers;&#13;
Le Havre (france);&#13;
Munro, Murdoch, 1895-1961;&#13;
Scrapbooks;&#13;
World War, 1914-1918</text>
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          <element elementId="55">
            <name>Cultural Context</name>
            <description>The name of the culture, people (ethnonym), or adjectival form of a country name fromwhich a Work, Collection, or Image originates, or the cultural context with which the Work, Collection, or Image has been associated.</description>
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              <elementText elementTextId="193">
                <text>French; Scottish</text>
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          <element elementId="66">
            <name>Style Period</name>
            <description>A defined style, historical period, group, school, dynasty, movement, etc. whose characteristics are represented in the Work or Image.</description>
            <elementTextContainer>
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                <text>Twentieth century</text>
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          <element elementId="61">
            <name>Measurements</name>
            <description>The physical size, shape, scale, dimensions, or format of the Work or Image. Dimensions may include such measurements as volume, weight, area or running time.</description>
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              <elementText elementTextId="195">
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          <element elementId="58">
            <name>Inscription</name>
            <description>All marks or written words added to the object at the time of production or in its subsequent history, including signatures, dates, dedications, texts, and colophons, as well as marks, such as the stamps of silversmiths, publishers, or printers.</description>
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                <text>Written inscription: Calais 16 Sept. 1915; Le Havre 29 June 1916</text>
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            </elementTextContainer>
          </element>
          <element elementId="62">
            <name>Relation</name>
            <description>Terms or phrases describing the identity of the related work and the relationship between the work being cataloged and the related work or image.</description>
            <elementTextContainer>
              <elementText elementTextId="197">
                <text>relatedTo &lt;a href="http://www.lodgepunk.com/MMC/items/show/55#?c=&amp;amp;m=&amp;amp;s=&amp;amp;cv=&amp;amp;xywh=-58%2C-189%2C1973%2C1621" title="WW1 Scrapbook with dried pressed leaf and flower petal"&gt;LETc1915Doc18&lt;/a&gt;</text>
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          <element elementId="57">
            <name>Description</name>
            <description>A free-text note about the Work, Collection, or Image, including comments, description, or interpretation, that gives additional information not recorded in other categories.</description>
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                <text>A scrapbook containing one small leaf and one small flower petal. These have been pressed, dried and backed onto heavyweight white paper, then attached onto a heavier grade brown card with scalloped edges. The willow leaf page is inscribed 'Calais 16 Sept 1915' is mentioned in one of Murdoch's letters. The poppy petal page is inscribed with 'Le Havre 29 June 1916'. The creator of the actual scrapbook is unknown.</text>
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            <name>Worktype</name>
            <description>Identifies the specific type of WORK, COLLECTION, or IMAGE being described in the record.</description>
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                <text>Object</text>
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          <element elementId="63">
            <name>Rights</name>
            <description>Information about the copyright status and the rights holder for a work, collection, or image</description>
            <elementTextContainer>
              <elementText elementTextId="1150">
                <text>Murdoch Munro Collection (1914-1919) by Erika Nygard and Lodgepunk.com/MMC is licensed under CC BY-NC-ND 4.0 CC  </text>
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        <name>1915</name>
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        <name>1916</name>
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        <name>Calais</name>
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      <tag tagId="22">
        <name>Le Havre</name>
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